Footnotes
  1. Wicke 1997
  2. Wicke 1997
  3. Wicke 1997
  4. Wicke 1997
  5. Wicke 1997
  6. Perrow 1986, p.183
  7. Wicke 1997
  8. Perrow 1986, p.183
  9. Perrow 1986, p.183
  10. Perrow 1986, p.184
  11. Perrow 1986, p.187
  12. Perrow 1986, p.185
  13. Schulze 1995, p.129
  14. Wicke 1997
  15. http://www.ifpi.org/music_stats/index.html
  16. Wicke 1997
  17. http://www.universalstudios.com/music/
  18. Wicke 1997
  19. http://www.ifpi.org/music_stats/index.html
  20. http://www.ifpi.org/music_stats/index.html
  21. Wicke 1997
  22. http://www.ifpi.org/music_stats/index.html
  23. http://www.ifpi.org/music_stats/index.html
  24. example of Grönemeyer: Chaos (1993); Der Musikmarkt, 16/94, p.22. Quoted from: Peter Wicke 1997. http://www2.rz.hu-berlin.de/inside/fpm/cdpreis.htm Although the example is fairly old and restricted to the German market, it can be regarded in its outlines as a typical structure for the international CD production today.
  25. Recording Industry Association of America: http://www.riaa.com/stats/st_pr.htm##_top
  26. http://www.rand.org/publications/RM/baran.list.html
  27. Zakon
  28. Hafner, Katie and Lyon, Matthew: "ARPA Kadabra - Die Geschichte des Internet", dpunkt-Verlag. Original title: "Where wizards stay up late - the origins of Internet". Quoted from: http://www.dpunkt.de/arpa-kadabra/geschi1.html
  29. Rost&Schack 1993
  30. http://www.w3.org
  31. Steinhau 7.3.99
  32. http://www.forrester.com/ER/Press/ForrFind/0,1382,0,FF.html
  33. Genocide
  34. http://www.cselt.stet.it/mpeg/about_mpeg.htm
  35. Riggs 1998
  36. Riggs 1998
  37. Genocide
  38. Riggs 1998
  39. Kasbohm 2/99, p.103
  40. RIAA: http://www.riaa.com/piracy/pir_gl.htm
  41. Kreile&Becker
  42. Hintz 16.4.99
  43. Hintz 16.4.99
  44. http://www.riaa.com/piracy/pir_gl.htm
  45. http://www.riaa.com/piracy/pir_op.htm
  46. Steinhau 3/99, p.8.
  47. Dvorak 9.3.99
  48. Klaas&Tari 3/99, p.71
  49. Steinhau 3/99, p.8
  50. Klaas&Tari 3/99, p.71
  51. http://europa.eu.int/comm/dg15/en/intprop/intprop/copy2.htm
  52. http://www.gema.de/publik/brief29/petition.shtml
  53. http://europa.eu.int/comm/dg15/en/intprop/intprop/copy2.htm
  54. http://www.riaa.com/piracy/pir_op.htm
  55. Dibbell 13.5.99, p.98
  56. https://www.sdmi.org/dscgi/ds.py/Get/File-359/SDMI99050506R01-Press_Release.doc
  57. http://www.liquidaudio.com/company/index.html
  58. Adel Dahdal, responsible for the Internet presence of JimmyFun, in a direct interview. 25.5.99
  59. Dibbell 13.5.99, p.97
  60. Jones 14.5.99
  61. Jones 14.5.99
  62. https://www.sdmi.org/dscgi/ds.py/Get/File-359/SDMI99050506R01-Press_Release.doc
  63. Menon 13.4.99, p.E6
  64. Wired. 13.4.99
  65. http://www.vqf.com
  66. http://www.execpc.com/~real/aac
  67. Klaas&Tari 3/99, p.72
  68. Liquid notes spring edition
  69. Liquid notes spring edition
  70. Deutsch 23.1.99
  71. Deutsch 23.1.99
  72. Jensen 12.3.99, p.37
  73. Block 11.3.99
  74. http://www.real.com/company/index.html
  75. Jones 14.5.99
  76. http://www.riaa.com/tech/tech_mp3.htm
  77. http://www.wired.com/news/news/business/story/19714.html 17.5.99
  78. Jensen 12.3.99, p.34
  79. Jensen 12.3.99, p.37
  80. Sullivan 8.2.99
  81. Jones 14.5.99
  82. Jones 14.5.99
  83. "Warum soll man stundenlang im Netz nach einem bestimmten Stück suchen, wenn man es gleich nebenan für einen vernünftigen Preis (bei Goodnoise im Schnitt für 0,99 US$) herunterladen kann?" Block 11.3.99
  84. Weekly 13.5.99
  85. Freund 3/99
  86. Jones 14.5.99
  87. Weekly 13.5.99
  88. Weekly 13.5.99
  89. Dvorak 9.3.99
  90. Riggs
  91. Jensen 12.3.99, p.34
  92. Dvorak 9.3.99
  93. Jensen 12.3.99, p.37
  94. Adel Dahdal in a personal interview. 25.5.99
  95. Freund 3/99